What Is The Anime Refrence In The Anime Nourin
Review
past Theron Martin,No-Rin
BD+DVD - The Complete Serial
Kosaku Hata is a student in the Tillage division of Tama Agricultural School (aka No-Rin Loftier). He is likewise an obsessive fan of famous idol Yuka Kusakabe (aka Yukatan), much to the chagrin of close friends/classmates/dorm mates Minori and Kei. When news breaks that Yukatan has retired from bear witness biz, Kosaku is devastated, but before long thereafter a new transfer student – ane Ringo Kinoshita – shows up in their form, and despite castigation and her dour expression, she is a dead ringer for Yukatan. Kosaku, Minori, and Kei soon learn that Ringo not only was Yukatan, but that she also is going to be their dorm mate going forward. Just what happened to the chipper girl that Kosaku idolized? Gradually they help Ringo integrate into life at an agricultural school, which also means getting her caught upwardly in some of the craziness that can get on at a school populated by weirdos, idiots, and agronomical geeks, not to mention the odd wallaby, runaway cattle, or man-hungry cosplaying spinster teacher. | ||||||||
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| Kosaku Hata is a pupil in the Cultivation sectionalisation of Tama Agricultural School (aka No-Rin High). He is also an obsessive fan of famous idol Yuka Kusakabe (aka Yukatan), much to the chagrin of shut friends/classmates/dorm mates Minori and Kei. When news breaks that Yukatan has retired from show biz, Kosaku is devastated, merely soon thereafter a new transfer student – one Ringo Kinoshita – shows up in their class, and despite dressing-downwardly and her dour expression, she is a expressionless ringer for Yukatan. Kosaku, Minori, and Kei before long learn that Ringo non only was Yukatan, only that she as well is going to be their dorm mate going forward. Just what happened to the chipper girl that Kosaku idolized? Gradually they help Ringo integrate into life at an agronomical school, which also means getting her caught up in some of the craziness that tin go on at a schoolhouse populated by weirdos, idiots, and agricultural geeks, not to mention the odd wallaby, delinquent cattle, or human-hungry cosplaying spinster instructor. | |||
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| The basic premise – a city-bred idol retires to the country, where she gets indoctrinated into the ways of agriculture – seems ripe for all manner of "fish out of water" situations, and to an extent this 12 episode series from 2014 does use that approach. Notwithstanding, it does not necessarily do it in the mode you might expect. The result is a lively, largely episodic product which tin can at turns be stupidly funny, surprisingly raunchy, edutainment nearly all things related to agriculture, and even deeply sincere nearly its characters and the reality of both farm and farming hamlet life. Often it is two or more of those things at the same time. Without question the mix is entertaining, but whether or not that all works together well is a much trickier question. Serial which try to do and be equally much equally this i does usually end upwards taking a hit somewhere, and in this example the weak point is the overall storytelling. The series has only a vague sense of ongoing story, generally centered on Ringo getting integrated and acclimated to agronomical life. The story never goes into much detail about the circumstances which led Ringo to retire, which is a shame because that's the one aspect of being an idol that anime has never really examined and this would accept been a golden opportunity. From what is revealed we can surmise that Ringo either got burned out on stardom or chewed up by the system, and possibly both. The implication always exists (and is confirmed belatedly in the serial) that she came to No-Rin High at least in part because of Kosaku sending her fresh vegetables, but another implication which persists is that she finds land life more than her speed. Every bit a event, anyone expecting a lot of content involving her beingness shocked or overwhelmed past the farm-related tasks she has to do volition be disappointed, which is surprising for a serial which depends and then much on madcap humor. Her presence does gear up up a requisite love triangle with the all-likewise-eager Minori concerning Kosaku, but its execution is awkward, inconsistent, and at to the lowest degree on Ringo's part, does not seem that strongly-developed. The one substantial plot thread extending across more than 1 episode involves someone beingness essentially railroaded into marriage, simply that only comes up late and is too contrived to have likewise much affect. The serial fares much better in its component parts, though. Bringing Ringo up to speed allows a convenient excuse for all manner of explanations and pontificating about assorted agronomical issues, and some of them can be quite interesting; a heavy rain after a lot of hot weather can cause tomatoes to split, for case, or rice is remarkably sensitive to flooding despite beingness grown in standing water. Even as someone whose parents were both raised on farms, and thus has been gardening to ane degree or some other since a very early age, I learned a few things. The humor tin also be quite funny even while being painfully dumb; laughing in spite of yourself is definitely a possible reaction in some places. In fact, in many respects the humor has a similar feel to it as another prominent Shin Oonuma directorial effort: Baka and Test – Summon The Beasts. When it separates its serious moments out from its humor so it tin generate some sincere moments, too, such as the resolution of Kei'southward struggle with his father (which comes down to a conflict over organic vs. non-organic food which also develops into a philosophical issue) or the efforts of Kousaka, Minori, and Kei to use a field every bit an analogy for helping Ringo to smile again. They just don't flow together that well with the other aspects to brand an overall story. The impaired humor also brings out the series' other major component: its raunchy side. The content is quite a bit dirtier than the initial impression it gives, although it seems to exist aiming almost equally for male and female audiences with its fan service. Guys get a couple of well-endowed female person characters (i is even nicknamed "Oppai" in Japanese and "Boobs" in English language) with jiggling chests and a female teacher who engages in nyotaimori; gals get a muscular male character wearing a mankini on multiple occasions and a couple of other male person characters who strip downward at various points. An early one-half-episode spent philosophizing most panties is practically matched by a series of jokes afterward involving marketing mushrooms to fujoshi. (And aye, that goes exactly where you might expect it does.) And of course in that location are all sorts of sexual allusions made concerning certain vegetables. The await of Minori's dorm room when she thinks Kosaka is finally visiting to accept sexual practice with her likewise has to be seen to exist believed. This content is not incessant, but it is nowadays in big enough doses that the series rarely avoids information technology for long. A less frequent feature of the series is its parodies and shout-outs to other anime series. One late episode uses an extended recreation of the opening scene of Princess Mononoke, while other episodes accept either obvious or more veiled references to Nyaruko: Crawling with Love!, Decease Notation, Sailor Moon, Plow A Gundam, and even Urusei Yatsura, amongst others I may have missed or forgotten. Not-anime parodies including obvious references to 2001: A Space Odyssey and a certain famous scene from Basic Instinct (over again, amongst mayhap others). The most distinctive visual feature of this Silvery LINK product is that many of the female characters seem to be perpetually blushing. Character designs do a nice chore of distinguishing Ringo as Yukatan from Ringo at schoolhouse without making the transformation so farthermost that it'southward non obvious that she is still the same person. (That does brand me wonder how the writing justifies her non drawing more attention than she does, though.) Otherwise designs seem a little flat, though perhaps trying to portray the students equally more ordinary folk was intended. The color scheme also seems a fiddling subdued most of the time, which, again, is probably being washed for effect. Animation quality is plenty skillful enough to back up all of the madcap humor and activeness scenes, contributing to an overall solid only not exceptional visual effort. A highly eclectic musical score supports the series' varying moods. Comedy scenes and parodies get dizzy ditties, country-themed, numbers, and occasionally lite jazz, while more serious moments get softer orchestrated numbers, and (naturally!) there'south a sprinkling of J-popular or J-pop-styled music, too. Opener "Himitsu no Tobira Kara Ai ni Kite," sung past Ringo's seiyuu Yukari Tamura (the vocalisation of Nanoha, among many others), is a hyper number whose visuals showcase the actual setting for the school, while the closer varies. The most frequently-used i, "Mogitage Fruit Girls," features Minori and Ringo in interesting bikini designs and chibi visuals reminiscent of the Mahoromatic closers, but four other ones ranging from serious to parody songs are used, often equally scenes from the episode continue to play out. Funimation's release comes in its standard DVD/Blu-Ray combo pack with bonus interior art. On-deejay Extras include English audio commentaries for episodes 3 and viii, clean versions of the opener and master closer, and a collection of trailers and promo videos. It also comes with a very solid English dub. Kei was the first anime part for Derick Snow and Minori was the first consequential role for Lynsey Unhurt, but both are well-cast and hit the basis running in the company of terrific performances by Austin Tindle (equally Kosaka) and Tia Ballard (equally Becky); by comparison, Jad Saxton's Ringo was less impressive, though the audio commentary claims that interim that deadpan is really a lot harder than it sounds and that Jad'south ability to do it that well is non common. Some of the minor roles are a picayune weaker but not to the point of being problems, though the country accents used in the village episodes may non become over well with everyone. In Funimation tradition, some of the songs are dubbed, too, with mixed results; easily the strongest is Ringo's depression-central rendition of the cell phone song at the end of episode xi. The script zings, besides, in finding appropriate equivalents for all of the jokes. In summary, No-Rin may not come together well, but that does not keep it from beingness quite entertaining. Be aware going in that it'southward not as tame as first impressions might suggest and it can be a fun viewing experience. |
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| Overall (dub) : B Overall (sub) : B Story : B Animation : B Fine art : B Music : B + Can at turns be both quite funny and effectively sincere, manages to include a lot of particular nearly agriculture without feeling like it is info-dumping. | |||
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